Ruy Lopez: 5.O-O - Game 47058

  
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Game result  (poker)


L. Fric, 2051
J. Huang, 2012

0-1

See game 135688




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FICGS__CHESS__WCH_STAGE_1_GROUP_24__000008       See crosstable
(type : rated round-robin,   time : 30 days,   increment : 1 day / move)


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Last move : 0-1     2010 November 2   9:41:54


[Event "FICGS__CHESS__WCH_STAGE_1_GROUP_24__000008"]
[Site "FICGS"]
[Date "2010.08.13"]
[Round "1"]
[White "Hensen,Erik"]
[Black "Zamora Cristancho,Sammy"]
[Result "0-1"]
[WhiteElo "2034"]
[BlackElo "2000"]

1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.O-O b5 6.Bb3 Be7 7.Re1 O-O 8.c3 d6 9.h3 Na5 10.Bc2 c5 11.d4 Qc7 12.d5 Bd7 13.b3 c4 14.b4 Nb7 15.a4 bxa4 0-1

This chess game has been lost on time   (started : 2010.08.13  14:49:2)



  ECO code : C78 , the name of the chess opening is displayed below :

Ruy Lopez : 5.O-O


Kingside Castling by player White (move 5)

Kingside Castling by player Black (move 7)


Player Black won this chess game.






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The most important feature of the Chess position is the activity of the pieces. This is absolutely fundamental in all phases of the game: Opening, Middlegame and especially Endgame. The primary constraint on a piece's activity is the Pawn structure. (Michael Stean)

Ein Isolani verdüstert die Stimmung auf dem ganzen Schachbrett. (Savielly Grigorievitsch Tartakower)

Una clavada es mas poderosa que una espada. (Fred Reinfeld)

Dans le domaine de la peinture, de la gravure et de la sculpture, dès la première décennie de notre siècle, les artistes abandonnent la représentation de la partie d'échecs pour se concentrer sur les pièces, sur les échiquiers et sur toutes les variations auxquelles les unes et les autres peuvent donner lieu. On passe en quelque sorte d'un thème social à un thème musical (au sens de la musica médiévale, c'est-à-dire d'une notion qui inclue le rythme, l'harmonie, la construction et la déconstruction, etc.). Graphiquement et picturalement, l'échiquier apparaît comme une structure ouverte, dynamique, d'une richesse infinie, autorisant toutes les combinatoires et débouchant sur des mouvements et des rythmes de nature exponentielle. (Michel Pastoureau)


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