Ruy Lopez: Berlin defense, Beverwijk variation - Game 121673

  
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Game result  (chess)


J. Dyson, 2153
H. Hepp, 2088

1/2-1/2

See game 142141




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FICGS__CHESS__CLASS_D__000261       See crosstable
(type : rated round-robin,   time : 40 days,   increment : 40 days / 10 moves)


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Last move : 1-0     2020 February 12   9:5:1


[Event "FICGS__CHESS__CLASS_D__000261"]
[Site "FICGS"]
[Date "2020.01.27"]
[Round "1"]
[White "Suwara,Kazimierz"]
[Black "Leurette,Marc-Antoine"]
[Result "1-0"]
[WhiteElo "1766"]
[BlackElo "1539"]

1.e4 e5 2.Nf3 Nc6 3.Bb5 Nf6 4.O-O Bc5 5.c3 O-O 6.d4 exd4 7.cxd4 Bb6 8.e5 Ne4 9.d5 Ne7 10.Bd3 Nc5 11.Bxh7+ Kxh7 12.Ng5+ Kg8 13.Qh5 1-0




  ECO code : C65 , the name of the chess opening is displayed below :

Ruy Lopez : Berlin defense, Beverwijk variation


Kingside Castling by player White (move 4)

Kingside Castling by player Black (move 5)


Player White won this chess game.






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Die größte Kunst beim Schach besteht darin dem Gegner nicht zu zeigen was er tun kann. (Garry Kasparov)

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Botvinnik disait en comparant les échecs à la musique: Il existe une science dont le but est l'étude de l'acoustique et des sons. Mais il y a aussi un art qui se sert de l'océan des sons : c'est la musique. De toute évidence, il en est de même pour la pensée. La logique est l'étude des lois de la réflexion et les échecs reflètent, en tant qu'art, le côté logique de la réflexion, sous la forme d'images artistiques... Extrait de Fischer - Spassky, Reykjavik 1972 par Alexander & F. Wyndham (Ed. Solar), p 37.


A good aphorism is too hard for the tooth of time, and is not worn away with the centuries, although it serves as food for every speech. (Friedrich Nietzsche)








 
 
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